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Category: Status Reports

Status Report (10 August 2019)

Status Report (10 August 2019)

I’ve got a weekend more or less to myself here – no need to go into the office, and my wife and our daughter are out-of-state visiting family, so it’s just me and my son doing the bachelor thing. Good time to get some work done on The Curse of Steel.

The major project right now is a map of the main area of action for this first novel. Decent progress thus far:

Work in progress . . .

Still need to finish marking in terrain features, although the main line of the Blue Mountains is in place. Then it will be time to put down forest icons to mark wilderness areas. I think I’m going to be sparing with that, since almost the entire map is wilderness to some degree! Then a few settlements and place names, and I’ll have enough to push forward with the novel. I imagine the map will get filled in further as I write this (and hopefully future) stories.

Meanwhile, I’ve posted the first chapter of the draft novel – a short story titled “Kráva and the Skátoi” – to the “Free Articles and Fiction” section in the sidebar. Here’s a link to the page as well.

I think tomorrow I’ll continue to work on the map, and I might start looking for art assets I can use to create images of Kráva and her world.

Status Report (7 August 2019)

Status Report (7 August 2019)

Work proceeds apace on The Curse of Steel – I’m making unusually good progress on it for the moment. I’m very happy with the divine pantheon I’ve developed for my protagonist’s home culture. I’m also continuing to build a more detailed map of the field of action for most of this first novel. Most importantly, I’ve knocked out two more chapters of the first draft, and as soon as I resolve a couple of questions about the future plot I should be able to keep going.

I think the critical step was to embrace the notion of having activist gods and divine-blooded heroes in the setting. You’d think this would be obvious; after all, those concepts were universal among the Indo-European peoples I’ve taken as a model for the world-building here. Yet I’ve tended to avoid the trope in my own work thus far. I’m not sure why. Possibly it’s because of my background in tabletop roleplaying games. I tend to think in terms of well-defined and limited mechanics for character power, and “he’s the son of a god” is a bit too free-form for my taste.

I will admit to taking some inspiration from the Scion roleplaying game that I recently picked up to read. That game is kind of a hot mess when it comes to rules organization and mechanics, but it does provide a nice framework to clearly define the powers of heroes and demigods. I still haven’t decided to use Scion as a tool for actual plotting, but I think I’m coming around to the idea.

Besides, if my protagonist is the child (or grandchild, actually) of a god, that fits in very nicely with the themes I’m working with for this first novel. Part of what I’m trying to do here is to examine some of the consequences of the power fantasy that’s common in genre fiction. Okay, so Kráva acquires a magical weapon that makes her an immensely powerful warrior, and almost in the same breath, she learns that she’s of immediate divine descent. Great! Except “with great power comes great responsibility,” the weapon comes with a rather nasty curse, and the lives of the gods’ children tend to be glorious and very short.

Lots of potential here. I’m almost eager to see what happens next.

Meanwhile, I think I may push a couple of chapters of the draft over to the “Free Articles and Fiction” section of the sidebar. Look for that as soon as I have a little time to spare.

Status Report (31 May 2019)

Status Report (31 May 2019)

My main project at present continues to be the development of plot for the novel The Curse of Steel. That’s moving along at a reasonable pace. Off to the side of that task, though, I recently found myself struggling with a different obstacle.

The Curse of Steel is going to be a bit of pseudo-historical fantasy, set in an alternate Iron Age world rather like Tolkien’s Middle-earth or Robert Howard’s Hyborian Era. Part of the project has involved the development of a small set of partial “constructed languages,” mostly for the derivation of names and a few scraps of vocabulary to act as cultural markers.

The process I’ve been using has been to develop an ur-language that somewhat resembles a simplified version of Proto-Indo-European (PIE). I then apply sets of sound-change rules to develop words in my planned collection of daughter languages. The result should be consistent and pleasing to the ear, even if it doesn’t work as a complete conversational language. All of this is fairly routine.

The problem has been that I’ve been doing all of this by hand, and the project has gotten large enough that I can’t keep it all straight in my head. I can’t always remember which word-roots I’ve already used, and the documents I’m using to record them aren’t exactly user-friendly. Meanwhile, whenever I tweak the rules for word formation or sound-changes, I find I’m not applying the tweaks consistently. I’m getting snarled up.

Okay, I realized a while ago, a lot of this would really be better done by a computer. Computers are great at tedious tasks that involve applying procedures consistently across a lot of data. Couldn’t I find a tool that I could use to keep track of my word-roots, record my expanding vocabulary, apply inflectional rules and sound changes, all of that?

So I went looking for software tools that other people had used for language construction. Unfortunately, I didn’t find anything I thought would be useful . . . but earlier this week I realized I had all the tools I needed to build my own.

Years ago I was a professional coder. I did most of my work in the C language and a UNIX environment, but I also taught myself a language called Perl, which is ideal for processing text strings and applying well-defined procedures to them. Couldn’t I build Perl scripts to generate all the possible word roots, apply inflectional rules to them, develop daughter-language vocabulary?

Okay, it’s probably been almost twenty years since I wrote a lot of Perl, but I still have my books, and coding is a little like riding a bicycle. You never entirely forget the skill once you have it. Meanwhile, there exists a nice free implementation of Perl for the Windows environment (Strawberry Perl). So over the last few days, I’ve been starting to build a Perl library that I can use to manage the language construction task – at least well enough to get past the immediate obstacle.

Early results are promising. I’ve just about got a script written and debugged, which will generate all the word roots in my ur-language, according to the PIE-like structure I’ve designed. Once that’s finished and I pull the output, I’ll dump that into an Excel spreadsheet where I can record the meanings I select for different roots. Then I should be able to put together another script that will apply the sound-change rules I’ve designed.

I may show off some of the results of this work over the next few days. Once this side project is done, the conlang process shouldn’t get in the way so badly. If I need a name or a piece of vocabulary, I will be able to generate it quickly, record it, and get right back to writing story.

Not to mention, it’s kind of neat to be writing code again. It’s been a while.

Status Report (21 May 2019)

Status Report (21 May 2019)

Just a short note this evening. I think my writer’s block of the last couple of months is finally starting to come unstuck, all thanks to the Muses.

Over the weekend I managed to finish a chapter of the Silmarillion fan-fiction novel I’ve been poking at for a long time. Might be able to push that forward a bit more smoothly in the next couple of weeks.

Meanwhile, I’ve also been fairly successful in using FATE to rework the plot of The Curse of Steel. I’m using the game as a structure to work out setting, characters, and plot, and it seems to be effective. It’s unabashedly a brain-hack, something to keep my creative mind focused on actually producing story rather than slipping back down the rabbit-hole of purposeless speculation and world-building. A little more work on that project and I may be able to re-write the first quarter or so of the draft novel without pause.

Every evening I try to set aside an hour or two before bedtime to make some forward progress. Cross my fingers that it keeps coming together.

Status Report (11 May 2019)

Status Report (11 May 2019)

There have been some recent developments. In particular, I’ve finally come out the far side of a roughly six-week period of really busy time at the office. Next week I’m helping to teach one of my own courses, and then there’s not much on my calendar for the rest of the summer. While I will still have plenty of other projects to occupy my day-job time, I won’t be putting in so many long days, weekend hours, or business trips for a while.

Meanwhile, the creative juices seem to be flowing again at home, so I’m starting to get some world-building and writing work done again.

In particular, I’ve been experimenting with a new approach to world-building for the literary projects I have on the docket. My preferred tabletop game for many years has been GURPS, flagship RPG from Steve Jackson Games. That’s not likely to change, but recently I’ve turned to another “generic, universal” game to do basic world-building. That game is FATE, published by Evil Hat Productions, a sophisticated and highly polished version of the venerable FUDGE system.

GURPS is deeply simulation-driven, largely derived from the tabletop wargaming thread of the origins of roleplaying games. FATE, on the other hand, is deeply narrative-driven, encouraging its users to do only as much world-building as they need to generate cool characters and drive their stories forward. Definitely worth considering for someone like me, who tends to fling himself down the world-building rabbit-hole to the exclusion of actually writing and publishing stories.

Unfortunately, while I understand GURPS inside and out, FATE is a pretty different approach to the problem of world-building and story prep. I’ve had trouble in the past wrapping my head around how it works. In the last few weeks, though, I’ve made a concerted effort to force myself to go through FATE‘s world-building and character-creation processes, with one of my literary projects in mind (the gritty-fantasy setting I’m calling The Curse of Steel). The results are starting to feel fairly promising. More about that over the next few days, I think.

None of which is to say that you won’t be seeing anything more from me about GURPS in the future. Still, if this experiment pans out, I may end up doing a lot of literary prep work with FATE instead. I might then come back and write things up in GURPS terms, but only after I’ve made good progress with a story that’s on track for publication.

It has also not escaped my notice that it would be a lot easier for me to self-publish material for FATE than to do the same for GURPS. Self-publishing GURPS-based material for profit certainly isn’t impossible, and I do have a long (if rather stale) history as a published GURPS author if I wanted to make a proposal to Steve Jackson Games. On the other hand, the FATE system is available under an Open Gaming License or a Creative Commons license. To be explored if and when I have something that might be worth publishing.

Status Report (24 April 2019)

Status Report (24 April 2019)

I’ve been radio-silent for several weeks here. Mostly this is due to the day job, which has soaked up a lot of my time, attention, and energy over the past month or so. What with teaching courses, writing new courses, going on business travel, mentoring my colleagues . . . I’m not having a lot of extra resources to spend on creative work lately. Which isn’t to say that projects aren’t perking along in the back of my mind in odd moments, which seems to be how I often make progress on things anyway. So I’ll certainly be back to this space and pushing things forward once the weather changes.

In other news, I learned something today that severely disappointed me regarding several individuals and a publisher with whom I’ve worked in the past. Not going to name names, but if you know something about my creative history and are aware of recent events in the tabletop gaming industry, you can probably put two and two together. Still not sure what decision I’m going to make about that. How do you respond when you discover you’re associated with, working with, actively supporting someone whose other activities you find reprehensible? How do you respond when, as here, the relationship is at one or two removes? That is, your associates aren’t carrying out the reprehensible actions directly, but they’re continuing to partner with and support, and generally seem to be okay with, someone who is.

I’ve been in this situation before. A few years ago I contributed to a product written and published by an individual whom I discovered later was actively involved in the alt-right movement. I generally avoid issuing political or social opinions in this blog, but you can take it as read that I am not fond of the alt-right. Still, it was too late to back out. My name was already attached to the product in print. Not that this was ever likely to be a huge deal – I was one of dozens involved, and my contribution was minimal – but it still left a bad taste in my mouth. I resolved at the time that I wasn’t going to be put in that kind of situation again, through my own lack of due diligence.

So I’m going to have to think about this. In the meantime, I’m going to temporarily set that publisher’s products aside and make no use of them in this space, until further developments have resolved the conflict or I’ve reached a more permanent decision.

Reviving an Old Project

Reviving an Old Project

I’ve been rather blocked for the past month or so, as witness the lack of updates in this space for about that long. So I’m going to try something that often works for me: turn to one of the other projects that’s currently on the back burner, and see if I can push it forward for a while. By the time I run out of steam on that, I usually find I can turn back to the first project and make progress with it once more.

One of the items I’ve had on the back burner for a while is a novel, possibly first in a series, with the working title of The Curse of Steel. This is a foray into writing Robert E. Howard-style pulp, set in an Iron Age world that’s reminiscent of our own prehistory without being tied to it.

The protagonist is Krava, “the Raven,” a female warrior from a pseudo-Celtic society, kind of a younger Boudica. After a battle against orc-like raiders, in which her father is slain, Krava comes into possession of a magic sword. She soon finds it an uncomfortable weapon to own, one which pulls her into a struggle of ancient magic and foreign gods. Eventually she leads her people in a fight for their freedom and independence, against several more “civilized” nations.

I have maybe 25 kilowords of the first novel down, including a first chapter that I posted here a while back. Unfortunately, I got blocked on that because I couldn’t converge on a consistent picture for Krava’s world beyond her immediate homeland. Back in 2017-2018 I tinkered with several concepts, including a late Stone Age Europe in our own world, and a completely new world map, but none of those quite came together to my satisfaction. I also did some language construction, which will probably be useful eventually.

Yet as often happens, since I’ve left that set of ideas on the back burner for a while, now I think I can clarify and push them forward a bit. I’ve got a plan to develop some back story and a more focused map, enough that I can move ahead with the first novel when time permits. The plan involves some research, and a little worldbuilding-by-simulation, and I’ll be working on that and making posts about it over the next two or three weeks.

Status Report (9 February 2019)

Status Report (9 February 2019)

I’m still plugging away on Twice-Crowned, although I seem to have lost some of my momentum on that project. I may spend a few days working on other items so as to stay fresh, then get back to the novel.

In particular, I’ve taken the first steps to move all of my archived content out of the Sharrukin’s Archive site and into this WordPress framework. For the moment, all I have is a parent page (visible on the sidebar to the right, under the “Sharrukin’s Worlds” link). I plan to hang several child pages from that, each covering a specific project or setting that I have in the process of development. For example:

  • The most recent draft sections for Architect of Worlds
  • Setting notes, maps, and short fiction for the Human Destiny space-opera setting
  • Setting notes, maps, and short fiction for Ancient Greece and the Danassos historical-fantasy setting
  • Setting notes, maps, and short fiction for the Tanûr planetary-romance setting
  • World-building articles I’ve written that aren’t tied to a specific setting
  • Any new projects that rise to the point of active development

This should give interested parties a chance to look at the content I’ve developed without having to dig through months of blog posts. It should also be far easier to maintain than the Sharrukin’s Archive site, which is frankly a royal pain in the nether regions to do anything with. Finally, I suspect this kind of structure might also be a convenient way to collect content on the way to developing books for publication via Amazon or a game-centered platform like RPGNow. Watch this space for further developments.

Status Report (9 January 2019)

Status Report (9 January 2019)

Just a quick post today. I’ve been home from the office with a bit of intestinal crud for the past couple of days, which has not exactly been conducive to getting any writing done either. Still, I’ve managed to get another two or three kilowords down on Twice-Crowned since the weekend. I’m not at all happy with the text as it stands – I’ve got more loose plot threads lying on the floor than you can shake a stick at – but better to get the story roughed out in full, and then go back and start polishing and trimming. The overall shape of the story is working out fine.

I should call out a source that’s been remarkably useful, and will probably continue to be so: a book titled The Seer in Ancient Greece, by Michael Atiyah Flower, published 2008 by the University of California Press. Although my protagonist is not at all a typical Hellene of her time, it’s very good to have a solid understanding of what other manteis did in the real world, and how they interacted with the society and culture around them. Somewhat specialized, but highly recommended if you have an interest in classical Hellenic religious thought.

Watching this blog for the past few days has been a bit surprising. Today has been the busiest day the blog has seen since I reinstated it back in April, and I cannot for the life of me figure out why. For some reason, I’ve suddenly been getting dozens of hits from Facebook, which is odd since I don’t cross-post and don’t even maintain an active account there. Haven’t a clue as to where the hits are coming from, either, and neither Google nor Facebook’s native search engine have been of any help. Not that I’m complaining, to be sure. Still, a small request to any readers who might be coming this way from Facebook: could you leave a comment on this post to indicate where the link is coming from? I’m kind of curious what’s up with that.

Tomorrow, with any luck, I’ll be back on an even keel health-wise and ready to get back to the office. The writing that needs to be done there is piling up too.

Status Report (25 December 2018)

Status Report (25 December 2018)

A good holiday to everyone, whichever holiday you may observe.

Personally, I’ve been enjoying a few days off from work: spending some time with my wife and children, flying starships around in Elite: Dangerous, experimenting with the new tabletop game SpaceCorp (there may be a theme here), and getting some writing done. Also, ignoring the outside world entirely. I think if I paid any real attention to the horde of rough beasts currently slouching their way toward Bethlehem, I would probably go mad.

Work on the new novel proceeds apace. It’s a little slow, especially because I keep having to stop and do some research every few lines. In the past week, I’ve had to read on:

  • The layout of the Piraeus (the main port of Athens) in the late fifth century BCE
  • How foreigners in Athens could register themselves as metics (legal immigrants) and what that would cost
  • A list of people exiled at one time or another from Athens
  • Athenian sanitation (not as bad as I thought it was, but nowhere close to a modern standard either)
  • The bare minimum of houseware that two people living in Athens could get by with, and how much that would cost
  • How Athenian households, especially poor ones, got (more or less) fresh water
  • Also, the very vexing question of whether Athenian women carried their water-jars in their hands or on their heads

As for that last item, I found some very satisfying evidence:

Not to mention that the whole business of going to fetch water in a classical Greek city handed me a perfect little conflict scene. One of the story’s major ongoing themes has to do with how a woman is forced to deal with one of the most profoundly misogynistic cultures in history. The fountain house was apparently a nexus of feminine society in Athens, but it was also a venue where men frequently stalked, harassed, and assaulted women. A good place for Alexandra to decide that she has very much had enough.