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Status Report (27 May 2018)

Status Report (27 May 2018)

One of the major stumbling blocks with world-building, at least for me, is that even when I’m momentarily satisfied with the outcome of a task, it doesn’t take much to rob me of that satisfaction. In this case, while staring at my world map draft in progress, I began to compare it to both the real world and to other world-builders’ efforts, and found it lacking. Too crude.

So I’ve gone back to first principles and started over, this time rebuilding a map of tectonic plates without pre-designing any of the continental land masses. This time I strove to come up with something to resemble the general pattern of tectonic plates on the real Earth, at least as far as the number of major and minor plates was concerned. I also paid attention to the way plate boundaries are arranged – whether they tend to be convex or concave, and how they form seams and three-way intersections.

One thing I found useful was to simply mark off the polar regions and ignore those. One of the things that was giving me fits was the transformation from a flat projection to the globe and back, and that switch always introduces the most distortion close to the poles. By assuming there will be no major polar land masses, I can gloss over how any plate boundaries might be laid out in the arctic or antarctic regions.

The result (equirectangular projection only) is as follows. So far, so good. I haven’t marked continental plates yet, but there will be five major continents and a few minor land-masses and island arcs.

Next step will be mark out the relative movement of plates at each boundary, and then sketch land-forms to match.

 

 

Status Report (25 May 2018)

Status Report (25 May 2018)

Just a quick report today: progress on my world maps for the Curse of Steel project. After tinkering a bit and learning how to build and use layer masks in Photoshop, I managed to paint mountain belts in their own layer on my map, with the following results:

Here, the deep-red belts are “young” mountains, the result of recent orogeny at the site of plate collisions or subduction. Think the Andes, Rockies, or Himalayas. The narrow, golden-brown belts are “old” mountains, the eroded remains of ranges that formed many millions of years ago in previous orogenic periods. Think the Appalachians or Atlas range.

One thing strikes me: the big continents to the east are going to have really big rain-shadow deserts, since those young, high mountains are going to block any kind of monsoon climate from moving too far inland. I’ll have to figure out the air circulation patterns next to know for sure. It makes sense, though, since large continents tend to have big arid zones anyway.

Next, it will be time to work out those climate patterns. I’ve been reading up on techniques for that all week, and the long weekend coming up should be a good time to work out the details.

Status Report (22 May 2018)

Status Report (22 May 2018)

Had the day off sick today, so in between bouts of ick I got a bit more work done on the world map for The Curse of Steel. Mostly this involved refining the landforms, using a much finer pencil stroke to create crinkly coastlines and islands. I’m fairly happy with the results. Here’s the equirectangular base map:

Much better continental shapes, not so cartoonish now, and clear island arcs. Another view, in the Mollweide projection for variety:

Next step will be to lay out mountain ranges, in accordance with the underlying map of tectonic plates. Once that’s done, I’ll need to work out air and ocean circulation patterns, and then lay out climate zones. Then it will be time to drill down to the regional scale and build the maps I’ll need to support the story.

(Very) Rough Draft World Maps

(Very) Rough Draft World Maps

Okay, given my level of frustration over the weekend, I’m rather happy with today’s developments. I’ve managed to produce a very rough draft of my world map, using Photoshop, the GPlates software, and GProjector. By no means is this as detailed as a good map of Earth yet, but I’m reasonably satisfied with the realism of the planetary geology involved.

Here’s a flat map in equirectangular projection:

This planet is in the middle stages of the breakup of a supercontinent. An Atlantic-like ocean has opened up, breaking off the equatorial continent and sending it south and west, creating a nice long chain of island arcs along the edges of two subduction zones as well.

The big continent that covers the north polar region is actually made up of three major continental plates. The piece covering the polar region itself is one plate, then a second is in the process of breaking away and heading southward, with a rift valley and a newly opening ocean basin dividing them. The third piece, down in the southern hemisphere, is actually a separate plate that started out attached to “Equatoria” but found itself divided from it by the new mid-ocean ridge. It’s currently being driven east and north, and is probably forming a blocked-off sea basin or an impressive range of mountains (or both) along the point of contact with the larger land mass.

The blot of land in the middle of the pseudo-Atlantic is my equivalent of Atlantis (or Númenor), the home of the most advanced human culture on the planet, one which is just starting a period of sea-borne exploration. The land-form is basically a super-Iceland, an exposed piece of the mid-ocean ridge that has a magma plume under it. Lots of volcanism and hot springs, and the inhabitants are feeling crowded enough that they’re ready to sail away and find primitive lands to colonize.

For variety, here’s a two-hemisphere orthographic map, produced using GProjector:

I did mention that this is a very rough draft map, right? I think I may produce a somewhat more detailed version of this map with Photoshop first, so I can add mountains and other major land-forms, then work out ocean currents and climate zones. Then it will be time to drill down to the specific region(s) that will appear in the story, and use Photoshop or Campaign Cartographer to put together finely detailed maps for those.

How did I get through this in just a few hours, after struggling all weekend? As often happens in world-building, the secret is finding the right workflow.

For a couple of days, I was using the GPlates software to try to draw features on the sphere. Problem is, although GPlates is perfectly good for that, that’s not what the software is actually designed for: it’s a very sophisticated plate-tectonics simulator. So by using it just to sketch features, I’m ignoring 99% of the thing’s functionality – and some of that functionality very much gets in the way. I was spending most of my time juggling multiple raster files, and fighting the very elaborate system GPlates uses to save projects, and getting frustrated with the results.

So today I switched my workflow around. Rather than do any drawing in GPlates, I did all of it in a Photoshop document with three layers (one each for ocean, tectonic boundaries, and land-masses). I would draw a few features, then save the result as a PNG image and import that into GPlates, purely to see how it looked on the sphere. More often than not, I would spot absurdities on the sphere that weren’t obvious on the flat map – so I would go back to Photoshop, fiddle with a few lines, and then re-import the result back into GPlates. I never tried to save anything in GPlates, so I never had to deal with its weird file-management system. Fifteen or twenty iterations later, I finally had the planet divided into a reasonable set of major tectonic plates, I knew where the major mid-ocean ridges and subduction zones were, and I was ready to finish the sketch map here.

I’ll take my progress where I find it.

Status Report (16 May 2018)

Status Report (16 May 2018)

A short note, since it’s been a few days since I last posted anything here. I’ve been up to my eyebrows at the day job, teaching a course on risk management and cybersecurity. After a full day on the platform I’m rarely in good condition to get a lot of creative work done in the evening. Still, my brain has been percolating along on the Curse of Steel project.

I’m currently beginning work on some maps, to give the story some structure. The overall plot of the novel is very much in the “heroic quest” vein, with Kráva and a few companions going on a long journey across unexplored and dangerous countryside to reach an objective. So I need to at least sketch out the geography.

This, as usually happens with me, turns out to be more complicated than it might appear at first glance. Knowing too much about world-building often means you can’t be satisfied with the simple or naïve approach to any problem.

In this case, my brain got stuck on the question of how to draw regional and world maps on a sphere. I keep thinking back to the classic Baynes-Tolkien poster map of Middle-earth, which has been the inspiration for a hundred thousand fantasy-world maps since then. It’s a beautiful map, but the big unspoken problem with it is that it’s flat. The map legend indicates both constant directions and a constant distance scale, and that just cannot be done with any flat projection of a spherical surface. That’s a subtle flaw in the world-building for Middle-earth, especially if (as I suspect) Tolkien did his meticulous measurements of distance and travel times on a similarly flat map.

So, since this piece at least of my world-building is decidedly in the same mold, I want to draw a similar map – but I want to envision my world as a sphere and do my regional map-making on that basis. Which means I need to expand my cartographic tool set.

I usually do map-building with Photoshop, but it’s a challenge to draw on a sphere with that tool, and there’s no way to easily do the standard map projections. However, I’ve recently come across one of the superb world-building YouTube videos produced by Artifexian, in which he discusses a work-flow he’s developed to do just this kind of thing. Here’s a link to the specific video I’m talking about.

So I’ve gotten started on this piece of the project by downloading a couple of freeware tools (GPlates and G.Projector), and will be sketching out global and regional maps over the next few days. I’ll post some of the interim results here.

First Light for a Constructed Language

First Light for a Constructed Language

One of the occasional pitfalls I see in genre writing is the awkward use of constructed vocabulary, usually in the production of names, sometimes in the development of bits of exotic dialogue. This is usually to suggest the living language of a fantastic culture. Unfortunately, many authors are careless about this and seem to come up with their constructed vocabulary at random, so we end up with “Qadgop the Mercotan” or something equally silly. (Five kudos to anyone who recognizes the source of that name, which did in fact appear in a piece of genre fiction. At least in that case the author was trying to be silly.)

The world-building challenge is to produce an actual constructed language from which names and bits of vocabulary can emerge organically. There’s something aesthetically pleasing about this when it’s well done. The human brain seems to recognize the internal logic of a well-constructed language, even if we’re not fluent in it. J. R. R. Tolkien, of course, was the past master at this, but a lot of other authors (and hobbyists) have had a crack at it over the years.

For The Curse of Steel, I’ve decided to build at least one constructed language, mostly for naming purposes. Since I tend to insist on doing things the hard way, I’m actually building an “ur-language” and producing my primary language by applying a consistent set of sound-changes. In the back of my mind, I have half a thought that I may need a second constructed language, one that feels related to the first, rather as (e.g.) Greek and Latin are both members of the Indo-European language family. If and when I go that far, I can generate words in the second language by applying a different set of sound-changes to the ur-language roots I’ve developed.

The past few days have been fairly productive in this area. I seem to have finally developed a work-flow that actually functions, without getting me snarled up in unnecessary details of semantics, grammar, or phonology. In particular, I decided to write some text in English and “translate” that, developing new vocabulary and bits of grammar as needed. At the moment, I have about sixty words of vocabulary, several rules of inflection and word morphology, and about a page of notes on semantic structure. Enough to produce an actual paragraph of text:

Esi degra tremárakai múr kresdan. Esi kráva degraka bendír. Augrinír tan esa nekám velka devam. Enkorír skátoi taino. Antekrír skátoi tainmuro, dún begrír tan múr bákha. Vóki degra velka kresdani, dún tarthámi da skátoi. Verti kráva ked saka kó márai. Asgáni skátokai kestan, dún verti dó an atrethen degra. Rethi kráva arekhton saka padír, dún verti sa múr skáto. Dághi kráva aspera rethen skátoka klávo; esi dó kresdághen, dún esi dó degraka danpreta.

A rough back-translation into English would read something like this:

Lion was a great warrior of the Mighty People. Raven was Lion’s daughter. One night they visited the Wolf-clan. Orcs attacked the hill-fort. The orcs broke into the stockade and threatened to do great harm. Lion summoned the Wolf warriors, and opposed the orcs. Raven slew many with her bow. A chieftain of the orcs came forth, and slew Lion in single combat. Raven fought to avenge her father, and slew the great orc. After the battle, Raven took the orc’s sword, as a spoil of war and as Lion’s weregild.

You’ll recognize that as a one-paragraph summary, in pseudo-epic style, of the first chapter of The Curse of Steel, posted a few days ago here.

A few notes:

The convention in this language is to tell stories in the present tense, which is how the untranslated passage is written. In English, of course, narrative is normally framed in past tense.

The language has a very strict verb-subject-object (VSO) sentence structure. VSO languages are uncommon, although not unheard of; notably, many of the Celtic languages use that structure. It seemed appropriate, since I have a sense that Kráva’s people resemble the ancient Celts in many respects. Using a very strict word order helps with the design, since strongly positional languages don’t need quite as elaborate a system of noun or verb inflections.

I’m using a system of word roots very similar to the reconstructed Proto-Indo-European vocabulary, although in most cases I’m deliberately selecting different roots. The result should be a language that sounds as if it would be at home in the Indo-European family, without actually bearing more than a superficial resemblance to any one IE language.

A few pieces of vocabulary I’m rather pleased with:

skáto “orc” is from a word root that means “to hate,” with a noun suffix that implies a “thing” rather than a living creature or human being. Essentially, a skáto is a “thing that hates,” and notably not a person that hates. Yes, Kráva’s people really don’t like orcs.

There’s a whole vocabulary around the word kresa “war,” including kresdan “warrior” (or literally “war-man”) and kresdághen (“plunder, spoils,” literally “war-taking”). Some cultures have a hundred words for snow, but I suspect Kráva’s people may have dozens of words for armed conflict.

arekht- literally means “to set straight,” but it also carries the meanings of “to make right,” “to carry out justice,” and “to avenge.” Which probably is another clue about this culture. Related to that is the word danpreta “man-price,” or more appropriately “weregild.”

Now that I’ve been able to produce one paragraph, I can probably develop more as needed, hanging more bits of vocabulary and syntax onto the partial framework I have. I think the next piece of this project will be to start assembling a map for the story, and coming up with names for terrain features and settlements. Not sure whether I’ll do that immediately, or get back to working on Architect of Worlds again . . .

 

Krava and the Skatoi

Krava and the Skatoi

One of my great weaknesses as a writer is that my mind has all the discipline of a butterfly. Flit, flit, now here, now there. I can decide to concentrate on Project A for a few days or weeks, until I reach a milestone . . . but then my brain settles on Project B, or Project C, or something else entirely, and refuses to do what I tell it to do. If I want to make progress on anything, it needs to be whatever is currently holding my attention.

I’ve learned to live with this.

At the moment, Project C appears to be a “gritty Iron Age fantasy” story, with a roughly Conanesque feel to it. The working title for the story is The Curse of Steel, and it’s probably going to end up as a novel. I have about 25 kilowords of a rough draft down now, although I didn’t get much work done on it throughout 2017.

The world-building is fairly straightforward. I’m doing some constructed-language work. I’m also running with the conceit that various generic fantasy races (counterparts to elves, dwarves, orcs, and so on) are actually derived from multiple hominid species evolving together on the same planet. For a while I was considering actually setting the story on an early-Holocene Earth (see this link for a map I cobbled together while I was working out the details) but I think I’ve set that idea by the wayside.

At the moment, butterfly-brain seems to be interested in pushing this project forward for a few days. Best to roll with that.

So, to pique your interest, here’s Chapter One of the draft novel.


Deep in the night, Krava sensed a presence. She snapped awake, one hand already gripping the knife beside her on the pallet. Then a familiar shape and scent put her at ease.

“What is it, father?” she murmured.

Degra grunted. “Some trouble outside. Arm yourself, and come.”

He withdrew. Now Krava could hear voices and movement, from elsewhere in the hall. Men and women of the Wolf-clan rose from sleep, seized their own weapons, moved toward the entrance in a confusion of bodies and dim firelight.

Then, from outside: shouts of sudden terror.

Krava rolled off the pallet, convinced now of the need to hurry. She pulled on trousers and jerkin of hardened leather, hung her blade at her side, strung her bow, and caught up her quiver full of arrows. She emerged from the cubicle old Duvelka had assigned her, and crossed to the entrance.

She emerged into firelight and chaos.

Whoever attacked Duvelka’s hill-fort had gained almost complete surprise. The Wolf-clan streamed out of their round-houses, into the open yard in the center of the enclosure, only to find the enemy already past the rampart and the gates. There had been no time to form a defensive line on the open ground. Already the foe ran as they pleased, cutting down anyone they found alone and unarmed. They hurled torches to set haystacks ablaze, and the thatched roofs of the round-houses.

Krava got a good look at the enemy, and felt a chill of fear in her gut. Not any of the Mighty People, not even any kind of foreigner she could recognize. Not human at all. They stood upright, two arms and two legs, they carried weapons, but their color! Fish-belly pale, corpse-from-the-river pale. They were stocky things, banded with muscle, with heavy jaws full of sharp carnivore teeth.

Almost without thought, she nocked an arrow, took aim, and shot one of the invaders through the throat.

Skatoi, she thought. How are they here? We’re at least a hundred and fifty leagues from the Black River.

A deep shout captured Krava’s attention. Degra stood firm in the center of the yard, bawling orders, gathering what few of the Wolf-clan had their wits about them. A burly young man stepped up beside him, then a tall woman with a spear. Order began to appear out of confusion.

Naturally, this attracted the attention of the skatoi. A hand of the creatures rushed forward, barking a harsh battle-cry in unison.

Krava glanced around, and saw a cart standing beside Duvelka’s hall. Quickly, she took three steps and vaulted up into the cart, to get a better vantage point from which to shoot.

Degra roared in wordless defiance, setting his feet and holding his shield high.

At the last moment, one of Krava’s arrows took one of the skatoi in the left eye, sending it shrieking to the ground. It seemed to blunt the enemy’s momentum. When they crashed into Degra’s position, he and his new shield-companions managed to hold their line.

More of Duvelka’s people entered the open yard, struggling toward the growing defensive line.

Krava aimed and fired, aimed and fired. There is a difference between speed and haste, said a memory, in her father’s voice. Even if you must fire quickly, make sure of every shot.

Degra twisted his iron blade in the guts of one of the enemy, then yanked it back out with a shout of triumph. The skatoi line began to waver.

Then it appeared. Bigger than any of the other foes, it wore a corselet of black iron rings, and a tall helm crowned with black feathers. Krava could see nothing of its face, except the red gleam of eyes, and the wicked points of its fangs. In its weapon-hand it brandished a great sword, unlike any Krava had ever seen, one that shimmered like fine silver in the firelight. It barked orders, and then charged the Wolf-clan line, right where Degra stood trading blows with another enemy.

Father!”

Krava ignored all the other skatoi, firing three arrows in rapid succession at the massive leader. One missed. The second was deflected by the creature’s helmet. The third struck its shield.

Degra finished his opponent, just a moment too late.

The creature arrived. Like lightning, its sword flickered out, getting past the guard of the spear-maiden to Degra’s left. She went down, clutching at her belly. Like thunder, its shield smashed down at the big man to Degra’s right. He fell, stunned or insensible, and did not move.

Degra stood alone. Krava couldn’t see his face, couldn’t tell how he reacted to the enormous skato looming over him, or the wave of its followers just an instant behind. He braced himself, presenting his shield, as if the line around him hadn’t just been shattered.

The shining sword swept upward, then downward.

Degra shifted his weight, turning his shield to deflect the blade just enough. His own sword slashed at the creature, rebounding from its shield with a hollow boom.

The noise of the battle slowed, as Wolf-clan and skatoi on all sides turned to watch the duel of champions. Krava thought about trying to shoot her father’s opponent, but the two of them were too closely engaged, moving too quickly. She stood with an arrow to the string, ready to fire if any of the other monsters tried to intervene.

Degra and the skato circled slowly, each to the left, no longer pretending to command their shield-walls. They fenced with their shield-edges, their swords lashing out into momentary openings, neither of them making a successful cut for a time. Degra managed to get through once, opening a shallow gash across his opponent’s thigh. The skato responded with a snake’s-tongue cut that nearly took out Degra’s right eye. The next time Krava saw her father’s face, it streamed with blood.

The skato was well-armed, aggressive, big, and terribly strong. Degra was the veteran of a hundred battles, and all the People respected his courage . . . but he also had seen more than forty winters. He would never complain, but Krava knew that he had begun to slow down during regular drill.

Sky Father, be with him now.

Then the chant began. One of the Wolf-clan, then a few more, then all of them. Calling her father’s name. “De-gra, De-gra, De-gra . . .”

The skatoi broke into a frenzy of yelps and barks, brandishing their weapons. Their leader bared its fangs and emitted a long, rasping growl.

“What are you waiting for?” Degra demanded.

The big skato moved, a sudden rush, trying to overwhelm Degra through sheer mass. It launched a flurry of blows. Degra blocked them all with his shield, which was beginning to look rather battered . . . but for a moment, he was off-balance, his shield held too far to his left.

The skato got the edge of its own shield inside Degra’s, and pushed.

Degra stood exposed, nothing but his sword to protect him for a moment. He saw the next blow coming, and swept his blade up to meet his enemy’s, going for the bind-and-recover that would continue the fight.

The silver blade flashed as it met Degra’s sword, strength to strength.

With a scream of stressed metal, the defending weapon snapped in half. The point of the iron sword spun away, gleaming dully in the firelight.

As the monster followed through, Degra took a vicious cut, with nothing but his corselet to protect him. The iron links held, but the sheer impact of the blow fell across Degra’s shoulder, tearing ligaments and breaking bones. A snarl of pain and rage tore from his throat. He recoiled, staring in disbelief for an instant at the stump of his blade.

The skato stalked forward, grinning, pushing with its shield.

Degra moved stiffly now, in great pain, barely able to hold what remained of his sword. His shield-work somehow kept the enemy at bay for a moment longer. Yet with only a hand-span of edge left on his blade, he could no longer reach his foe.

Krava jumped down from the cart, running toward her father.

He won’t thank me for breaking the single combat, robbing him of his honor. At least he will be alive to disapprove.

Too late. The skato levered Degra’s shield aside once more, a powerful sword-thrust slamming home right behind. Whatever metal made up the blade, it somehow punched through Degra’s corselet. Degra sagged, dropping the remains of his own sword, and fell to his knees.

A twist of the monster’s wrist, a great sweep of the silver blade, and the sword pointed skyward, dripping with blood. The skato loomed over Degra as he slumped to lie on the ground. It roared in triumph.

All around, the Wolf-clan stared, losing heart. They prepared to run, or to exact a final desperate payment for their lives.

Thunk. Thunk. Thunk.

Krava’s last three arrows sprouted in the monster’s exposed torso, piercing its mail.

The skato didn’t seem mortally wounded. Perhaps it wore a leather jerkin under its own corselet, or it was protected by thick muscle. Still, its roar of triumph turned into a hiss of sudden, unexpected pain.

Slowly, deliberately, the monster reached to tear arrows out of its flesh. Blood from the wounds ran down its chest and belly, to drip on the ground. The last arrow it brought to its mouth, to lick the gore from the iron point. Then it cast the arrow aside, and brought its weapons back into guard position. It stared at Krava over the rim of its shield.

“A little girl,” it said in the trade-tongue, with an accent so thick Krava could barely understand it. “Tell me your name, little girl.”

“I am Krava,” she told it, proud of the fact that her voice didn’t shake, that it could cut through the crackle of the flames. She raised her own sword, and her archer’s buckler.

It snorted in contempt. “Raven, ah? I catch ravens, eat them, take their feathers for my hrâsk. Think I will eat you. Make a cup out of your skull.”

Krava smiled, concealing that she wanted very badly to flee wailing into the night. “Come and try,” she said.

It did, a howl-and-charge designed to turn a woman’s guts to water and her legs to rotten strings. The shining sword lashed out.

Krava was not there when it arrived.

The skato turned, attacked again.

Krava dodged and deflected the sword-blow to the side with her buckler. For just an instant, she sensed an opening, and lashed out with her own blade. Her edge laid open another shallow cut across her enemy’s thigh.

She twisted away from blows. She spun toward the creature’s shield-side. She made a long leap backward, leaving her foe off-balance. She deflected the silver blade, never taking its full force on her buckler or the strength of her own sword. Every now and then, she lashed out, forcing the skato to use its shield or take another small cut.

Before long, the monster was bleeding from a dozen minor wounds.

Krava was not as big as her father had been, not as strong, not as experienced in a hundred battles and cattle-raids. She preferred the bow to the brutality of the shield-wall.

Still. The People did not call her Krava the Swift for nothing.

There was no chanting, as there had been for her father. The Wolf-clan and the enemy watched in eerie silence. Watched as the big skato paused for a moment, staring at her, its fetid breath like a bellows.

“You dance,” it said. “Don’t win fight by dancing.”

“You bleed,” Krava responded. “That doesn’t win fights either.”

It moved slightly to its left, its feet shifting.

“Getting tired, monster?” Krava inquired. “That sword getting heavy in your hand?”

“Not yet,” it told her, and charged.

Krava had read its foot-work properly, but that charge was so fast, she still didn’t quite evade in time. She felt the creature’s weight slam into her shield-arm, and felt something give in her shoulder. She lost her balance, falling ungracefully on her arse, the skato looming close over her.

For an instant, she saw an opening. She didn’t take the time to think. She stabbed, with every remaining ounce of her strength.

Her sword point found its way under the skirt of the creature’s corselet, and ran up into its body. It screeched, one leg collapsing, and toppled over on top of her.

There was dead silence for a long moment. Then Krava emerged, shoving the creature’s dead weight to the side. She staggered to her feet and stood in the firelight, covered with her enemy’s blood, and stared wildly about her.

“Well, Wolf-clan?” she demanded. “They can be killed. Let’s get to work!”

A shout went up, and then the howling war-cry of Duvelka’s folk. Men and women surged out into the open yard, their courage restored, and fell upon the skatoi.

Krava did not join them. Suddenly she felt terribly weary, as if she had been fighting for hours. She did a quick inventory and found no open wounds, although her shield-arm snarled with pain and hung useless at her side.

Father.

Degra was still alive, barely, lying in a pool of his own blood with one hand pressed to the great rent in his corselet. Krava fell to her knees beside him. His eyes wandered for a moment, and then focused on her. His lips moved, but it was clear he couldn’t get enough breath into his voice.

“Don’t try to speak, Father.” Krava leaned close over him, to press her lips to his cold forehead. “Your enemy is dead.”

He nodded, his eyes sliding closed. His lips moved again, but even with her ear held very close, Krava could not make out the words. Then he breathed no more.

Krava knelt there for a minute, then two, listening to the sounds of battle. The Wolf-clan seemed to be pressing the last of the skatoi out of the open yard, out into the night. Whatever had driven the monsters to come so far and attack Duvelka’s people, they were paying a heavy price for it.

Not heavy enough.

She pushed herself to her feet, and staggered back the way she had come, back to where the big skato lay alone on the bloody ground. Standing over the creature, she picked up its weapon and examined it.

Beautiful. Straight and sharp. It will do.

She stood over the dead skato, raised the bright sword high, and then struck with all her might.

When the Wolf-clan’s warriors returned, they found a spear standing in the earth at Degra’s feet. Impaled on the blade, the skato’s head stared sightlessly into the darkness. A trophy to watch over Degra’s journey to the Otherworld.