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Planning for September 2026

Planning for September 2026

Hmm. Looks like I did it again – by the time I reminded myself about posting a planning message for August, it was already almost the end of the month. Retirement does not seem to have improved my tendency toward procrastination.

A lot has, in fact, been going on! So here’s a summary of events over the summer, and plans for the coming month.

University Studies

Summer vacation is about over, and I’m going to be starting to do some pre-review of the coming year’s course materials. In the 2026-2027 year, I’ll be taking two courses.

One is a straightforward astrophysics course, Astrophysics of stars and exoplanets, which looks as if it’s going to be digging a lot further into the quantitative aspects of modern astronomy. I’m looking forward to learning some new bits and pieces that might make their way into the putative second edition of Architect of Worlds.

The other is an experimental-physics course, Remote experiments in physics and space. You’d think it would be tough to do a lab course when you’re remote-learning across the Atlantic, but the university seems to have figured that out. I’ll be working with other students to plan and carry out some physics experiments and astronomical observations using remote access to the university’s instruments.

The courses formally open in about a week, although actual instruction doesn’t start until October. I plan to spend some time in September reading ahead and generally getting ready. At the end of this year I should be 75% finished with my BSc degree, still on track to start my post-graduate work by about 2029.

No formal objectives here for September. Those will start in October once my courses are actually under way.

Therapy Writing (Fan Fiction)

Since my last planning message, I’ve finished two stories, “The Country of Silence” and “Clear as Mudd.” The next story, “Sixpence in Her Shoe,” is under way and I plan to get that finished in September.

At this point, my return to fan-fiction writing has been going on for about a year and a half, involving 15 stories and over a third of a million words. Still not the biggest chunk of my fan-fiction corpus – my Mass Effect stories (written between 2014-2016) come to around a million words – but it’s been more robust than I expected when I started. Probably going to keep going for at least another few months before the planned series is complete.

A side project: the site where I started posting fan-fiction back in the day has become a sad example of the “dead internet” theory. It’s very poorly maintained, a lot of its functions no longer work well or at all, and it’s apparently awash in scam bots. So I’m in the process of moving all of my work off that site for good. Fortunately, I kept all my earlier work in my own files. Hence I can pull those stories up, possibly give them another coat of polish, and repost them to Archive Of Our Own (AO3) without much trouble. So as time permits, I’m doing that, including a few stories that I wrote and never did post to the old site. I’m also going to be updating my CV page on this site to make sure it points to the new master copies of everything. Once all that’s done, I’ll be deleting all my stories from the old site and deactivating my account there. Unfortunate, but probably necessary.

The objectives for September are:

  • Finish and post “Sixpence in Her Shoe”
  • Finish copying all my old stories over to AO3
  • Update the CV page on this site to reflect the current status of my fan-fiction
  • Deactivate my original fan-fiction site account

Architect of Worlds & Composer of Cultures

August and September were mostly devoted to an overhaul of the draft Cultural Evolution game for Composer of Cultures. The result was enough different from the incomplete version 0.5 draft that I’m labeling it version 0.6.

The game mechanics themselves are complete, and in fact Ken Burnside has done some red-pencil on them. Currently I’m in the process of writing all the supplementary material for the new draft (basically, all the material that would let the user interpret the results of the “game” and build an historical timeline for their fictional alien culture). No firm timeline as to when that will be finished, although I’m hoping to be able to release a complete draft to playtesters sometime this fall.

The objectives for September are:

  • Finish version 0.6 of the Cultural Evolution Game for Composer of Cultures
  • Contribute to the initial design for other portions of Composer of Cultures
  • Continue to collect other research for a potential second edition of Architect of Worlds, and make occasional world-building posts to this site based on that new research

Personal Universes

I’ve been creatively blocked with my “Human Destiny” space-opera universe for quite a while. To review the bidding: in its original concept, this is a universe in which benevolent aliens arrive (about 18 years from today) and conquer Earth in order to save us from our own folly, after which humans slowly become citizens of the galaxy.

Much of my trouble with that concept has been two-fold. First, it really was hard to write stories about human characters with agency when the Overwhelmingly Benevolent Aliens were in charge of literally everything. Second, I was just having trouble believing in the premise. Okay, it’s not like there’s any shortage of human folly around, but the back story is otherwise already falling apart. As an example, one of the stories I’ve actually written for this setting had a character loosely modeled on Elon Musk as the protagonist, set on Mars in the early 2040s. These days I have zero appetite for taking any inspiration from Elon Musk, nor do I believe we’re going to be putting any humans on Mars that soon.

So the solution I’ve meandered toward is to rethink the setting, so as to preserve a lot more human agency and simultaneously divorce it from those last vestiges of America-centrism. One aspect of this is to assume humans will explore and colonize the rest of the Solar System over the next century or so, although it will be a slow process and it will be driven primarily by powers like China, India, and the European Union rather than (e.g.) Russia or the United States.

To this end, I’ve been tinkering with a tabletop game, Stellar Horizons by Andrew Rader (who is a well-known space scientist). Probably the best “explore the Solar System” game I’ve come across for messing with plausible future histories. It’s been working pretty well! There’s a sequel too, which covers the exploration of the interstellar neighborhood over the next few centuries. I’m hoping the end result will be a medium-to-long-term timeline that will get my Muse moving more effectively.

The objective for September is to finish working with Stellar Horizons and build a first revised timeline for the “Human Destiny” universe.

Looking Backward: The Silk Revolution

Looking Backward: The Silk Revolution

Current events have me going back to re-read an old work of mine.

The Silk Revolution” was the last significant piece of fan-fiction I wrote during that period of my creative career. Since I finished that story, I’ve been trying to spend the bulk of my time on original work. The plot centered around a set of elections in a fictional republic, but it included plenty of action-adventure scenes and a romantic subplot as well.

Not to mention an authorial experiment. “The Silk Revolution” was a novella-length work without a single significant male character appearing anywhere in it. Men appear in the background, men are referred to in dialogue, but no men have any dialogue of their own, nor do they take any significant action to further the plot. The protagonists are female, the villains are female, every supporting character is female. I asked my readers to figure out what was different about the story, and not one of them took notice of the casting. I considered that something of a victory for my art; I must be getting better at “writing the other.”

“The Silk Revolution” was, of course, influenced by the US elections of 2016. Going back and re-reading it now, I’m finding echoes to the events of today as well. I’m also detecting the onset of a certain cynicism about politics in the authorial voice. No artist can remain entirely detached from the world around him, and it’s folly to try. That’s a point those who get angry about political elements in art need to consider.

Status Report (28 November 2019)

Status Report (28 November 2019)

It’s been a while since I posted here, but there hasn’t been that much new to report. I’ve been making steady progress on the first draft of The Curse of Steel, and I strongly suspect I’ll be finished sometime this holiday weekend. At that point, I’ll be taking a short break, and then launching myself right into the second-draft rewrite.

Oddly enough, I’ve been thinking about reviving my Patreon account. The main reason I let that lapse, a few years ago, was that I wasn’t producing content consistently enough to warrant asking anyone to pay me for it. I was mostly writing fan-fiction (which I can’t legally accept payment for), or doing research for the Architect of Worlds project (which didn’t give rise to useful content on a consistent basis), or generally messing around with one-off world-building or writing projects. Why should anyone want to support that kind of desultory work?

On the other hand, now I have this novel I’m working on, and world-building and constructed-language material to support that. Since I’m going to be self-publishing the finished work, patronage could help me gather an audience, and might also help offset some of the costs of professional support. That might be a thing in the new year.

One odd thing did come up over the past few days.

Apparently, about a year ago, someone downloaded the complete text of one of my fan-fiction novels (Memoirs: The Reaper War), reformatted it as an e-book, slapped a cover image on it (also stolen), and published it to Amazon UK under their own byline. They even stole my blurb for the novel! Naturally, this did not work out well for them. Within a few days, someone noticed that the e-book was fan-fiction, with no sign of consent from the Mass Effect IP owners. The violation of Terms of Service was reported to Amazon, and the e-book was taken down in short order.

(It still appears to have a Goodreads entry, though. I wonder if Goodreads has any mechanism for taking those down, if the book turns out to be fraudulent?)

One annoying part is that I didn’t hear anything about the incident at the time. Several people apparently looked closely enough at the plagiarized e-book to recognize that I was the original author, but none of them thought to let me know what was going on. I only came across the discussion on Reddit by accident, earlier this week while I was searching for something else entirely.

More annoying is the thought that this could put me in a very bad position someday. Suppose Amazon puts two and two together and concludes I was the idiot who tried this in the first place. The last thing I need is for them to decide to pull the original work I’ve actually published with them!

No news is good news, I suppose – if I didn’t notice this situation in over a year, it’s probably not going to blow up in my face. Still. I’ve dropped a note to the Organization for Transformative Works, to see if this kind of thing has ever come up before and if they have any advice for how I should handle the situation.

Meanwhile, if I ever find out who “Cole Price” or “C. P. Price” is, we are going to have words.