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Looking Backward: The Silk Revolution

Looking Backward: The Silk Revolution

Current events have me going back to re-read an old work of mine.

The Silk Revolution” was the last significant piece of fan-fiction I wrote during that period of my creative career. Since I finished that story, I’ve been trying to spend the bulk of my time on original work. The plot centered around a set of elections in a fictional republic, but it included plenty of action-adventure scenes and a romantic subplot as well.

Not to mention an authorial experiment. “The Silk Revolution” was a novella-length work without a single significant male character appearing anywhere in it. Men appear in the background, men are referred to in dialogue, but no men have any dialogue of their own, nor do they take any significant action to further the plot. The protagonists are female, the villains are female, every supporting character is female. I asked my readers to figure out what was different about the story, and not one of them took notice of the casting. I considered that something of a victory for my art; I must be getting better at “writing the other.”

“The Silk Revolution” was, of course, influenced by the US elections of 2016. Going back and re-reading it now, I’m finding echoes to the events of today as well. I’m also detecting the onset of a certain cynicism about politics in the authorial voice. No artist can remain entirely detached from the world around him, and it’s folly to try. That’s a point those who get angry about political elements in art need to consider.

Status Report (28 November 2019)

Status Report (28 November 2019)

It’s been a while since I posted here, but there hasn’t been that much new to report. I’ve been making steady progress on the first draft of The Curse of Steel, and I strongly suspect I’ll be finished sometime this holiday weekend. At that point, I’ll be taking a short break, and then launching myself right into the second-draft rewrite.

Oddly enough, I’ve been thinking about reviving my Patreon account. The main reason I let that lapse, a few years ago, was that I wasn’t producing content consistently enough to warrant asking anyone to pay me for it. I was mostly writing fan-fiction (which I can’t legally accept payment for), or doing research for the Architect of Worlds project (which didn’t give rise to useful content on a consistent basis), or generally messing around with one-off world-building or writing projects. Why should anyone want to support that kind of desultory work?

On the other hand, now I have this novel I’m working on, and world-building and constructed-language material to support that. Since I’m going to be self-publishing the finished work, patronage could help me gather an audience, and might also help offset some of the costs of professional support. That might be a thing in the new year.

One odd thing did come up over the past few days.

Apparently, about a year ago, someone downloaded the complete text of one of my fan-fiction novels (Memoirs: The Reaper War), reformatted it as an e-book, slapped a cover image on it (also stolen), and published it to Amazon UK under their own byline. They even stole my blurb for the novel! Naturally, this did not work out well for them. Within a few days, someone noticed that the e-book was fan-fiction, with no sign of consent from the Mass Effect IP owners. The violation of Terms of Service was reported to Amazon, and the e-book was taken down in short order.

(It still appears to have a Goodreads entry, though. I wonder if Goodreads has any mechanism for taking those down, if the book turns out to be fraudulent?)

One annoying part is that I didn’t hear anything about the incident at the time. Several people apparently looked closely enough at the plagiarized e-book to recognize that I was the original author, but none of them thought to let me know what was going on. I only came across the discussion on Reddit by accident, earlier this week while I was searching for something else entirely.

More annoying is the thought that this could put me in a very bad position someday. Suppose Amazon puts two and two together and concludes I was the idiot who tried this in the first place. The last thing I need is for them to decide to pull the original work I’ve actually published with them!

No news is good news, I suppose – if I didn’t notice this situation in over a year, it’s probably not going to blow up in my face. Still. I’ve dropped a note to the Organization for Transformative Works, to see if this kind of thing has ever come up before and if they have any advice for how I should handle the situation.

Meanwhile, if I ever find out who “Cole Price” or “C. P. Price” is, we are going to have words.