Thinking about “Fourth Millennium”
I’ve been doing a lot of back-of-my-head design work for the Fourth Millennium universe this weekend.
To recap: Fourth Millennium is an alternate-historical fantasy setting, somewhat resembling the situation in and around the Mediterranean basin in middle antiquity. There are a lot of divergences from our history: a Minoan successor state in Sicily that’s a counterweight to both Rome and Carthage, an Alexandrian empire that lasts for several generations before finally breaking apart, a Carthaginian empire that lasts much longer than the real one did, and so on. There are some subtle fantastic elements too, such as working ritual magic, the intervention of gods, and philosophical schools that open the door to special powers of body and mind.
I’ve written several pieces of fiction in this universe, and will probably write more. It’s an ideal setting for me to apply all the time I’ve spent studying the world of antiquity.
It’s also going to become a tabletop RPG setting at some point, and that’s what I’ve been spending a lot of time on over the last couple weeks.
At this point I think the canonical setup for a Fourth Millennium campaign will be a group of young but well-connected characters, firmly embedded in the social and political environment of a given civilized state. In a Hellenistic state, for example, the characters might be born to wealthy or noble families, starting out with obligations to king, home city, family, philosophical school, and so on. Characters will adventure to earn dóxa (glory) and arkhḗ (authority, social power), with the ultimate objective of “everlasting fame,” the kind of historical legacy that people will still be talking about centuries or millennia later. Adventures may involve:
- Political intrigue
- Fighting against brigands, pirates, barbarians, or other civilized states
- Recovering treasures
- Exploring strange lands
- Gaining standing in a philosophical school through debates and writing learned treastises
- Producing great works of art or architecture
- Making scientific discoveries or inventing wonderful devices
Becoming a very important figure won’t be out of the question – a prominent strategos, a city or provincial governor, even a king or ruling queen. All of this will hopefully get game-mechanical support.
The models I’m looking toward here are in the Basic Roleplaying (BRP) arena, especially Pendragon and Runequest. I’ve already been doing some design work with BRP, and the system seems adaptable to a game such as I have in mind, so it’s a decent fit.
One neat feature did occur to me today. I suspect the “core book” for Fourth Millennium will focus on the Hellenistic kingdoms, from Sicily in the far west to the receding frontier of Alexander’s empire in the far east. Lots of focus on Hellenistic society, its structure, its customs, and so on. But if the core book does at all well, I could very easily write “splatbooks” describing other parts of the setting – the Roman Republic, the Carthginian Empire, the Parthian kingdom, Egypt (outside Alexandria and the Hellenistic core), and so on. Similar mechanics for each, but differences in character design and social structure. It would be easy, after a while, to mix cultural backgrounds and have a truly globe-trotting campaign.
I suspect I’ll be starting to outline the Fourth Millennium core book this month, and maybe even writing a few sections of the rules or setting background. We’ll see how much I have in hand by the end of July.
Incidentally, if you’re reading this post and you’re interested in seeing more about Fourth Millennium, you might consider signing up for my Patreon at https://www.patreon.com/Sharrukin. Patrons get regular updates on all my creative projects, including interim drafts of books in progress. For the past couple of years, my patrons have mostly been seeing work on Architect of Worlds, but if you’re more interested in TTRPG development now might be a good time to sign up.
(Image credit: Angus McBride, cover image for Osprey Publishing, The Thracians: 700 BC-46 AD. I really wish Mr. McBride was still with us, and that I could afford to commission him for art for this project . . .)