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Review: Majority, by Abby Goldsmith

Review: Majority, by Abby Goldsmith

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Majority by Abby Goldsmith

Overall Rating: ***** (5 stars)

Majority is the first in a planned six-book space-opera series, chronicling the struggle of a few humans and their alien allies against one of the most viciously malign galactic empires ever created in fiction. The book is marketed as a “progression fantasy,” but the tropes of that sub-genre aren’t overly distracting – the story here works very well on its own.

Thomas Hill is an enormously talented teenage boy. He suffers from crippling physical handicaps, and he has grown up in an indifferent foster-care system, but his intelligence is so vast as to be unmeasurable. Even more, he is a telepath, a mind-reader who can absorb knowledge from others at lightning speed. At the age of thirteen, he is already a world-class scientific genius. The one mystery he has never been able to solve is that of his origins – he knows nothing about his biological parents or any family he might have. His only allies are two of his foster sisters, Cherise and Violet, who do their best to protect and support him.

Thomas soon learns that his origins are stranger than he could have imagined. Strictly speaking, he isn’t even fully human. His mother, at least, was a citizen of the Torth Empire. The Torth closely resemble humans, in fact humanity may be an offshoot of their species. The major difference is that all Torth, like Thomas, are telepaths.

The Torth dominate the entire galaxy. In theory, their Empire is a perfect democracy. Every Torth is considered the equal of every other. Every law, every policy, is decided by the “Majority” of Torth minds, linked in a galaxy-wide network. Talented Torth can acquire millions or even billions of “orbiters,” lesser minds who watch their every moment and leap to their aid, like the followers of Earthly “influencers.” On the other hand, the Majority is an absolute tyranny, insisting on perfect conformity at all times. Non-Torth are kept as slaves, subject to torture and death the instant they step out of line. Even high-ranking or popular Torth are always being watched, and might likewise be killed if they show signs of deviance or unwanted emotion.

Incidentally, the Torth Empire works quite well as a satire of the worst elements of modern Internet culture. I suspect that was quite deliberate!

Early in the story, the Torth arrive and capture Thomas. Thomas learns that his mother was Torth, and because of his talents he is offered the chance to join the Empire himself. For a time he is tempted . . . but the Empire has also taken his human friends, reducing them to slavery. The story that follows pits Thomas against himself, against the friends who no longer trust him, and against the constant surveillance and vicious cruelty of the Torth. Thomas and his friends must fight to survive, much less regain their freedom.

Ms. Goldsmith’s prose style is very clean, with no obvious copy- or line-editing problems to pull the reader out of the story. Viewpoint discipline is fairly good; although the viewpoint does shift around among several characters, it’s always clear who has the narrative at any given moment. The plot is tense, suspenseful, and fast-moving. I found the story quite compelling, and I ended the novel very much wanting to know what would happen next.

About the only difficulty I had with Majority was with characterization and character development. These felt just a touch clumsy; there’s a lot of telling, not showing, when it comes to how major characters think and feel about themselves or each other. Changes in characterization sometimes seem abrupt and inorganic. This may or may not be a result of the “progression fantasy” sub-genre; I suspect the emphasis on a character’s skills and abilities may sometimes distract from subtle and compelling characterization. In the end, I was able to stay engaged with the characters here, but it was occasionally an uphill struggle.

Even so, this is a very promising opening to what looks like it will be a top-notch space-opera series. I’m very interested to see what Ms. Goldsmith comes up with next. Very highly recommended.

Review: The Starved God, by Thomas Norford

Review: The Starved God, by Thomas Norford

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The Starved God by Thomas Norford

Overall Rating: **** (4 stars)

The Starved God is a story of exploration and violent death, set in a world where humanity has diverged into multiple antagonistic species.

Our protagonist, Canna Dawn, is an amateur naturalist, living in the community of Riverbend. What we see of Canna and his people is both familiar and strange. They seem to be human, but it soon becomes clear that there are some odd elements to their biology and way of life. It also turns out that there are several different human species, all of them significantly different from each other, and none of them exactly like us. Riverbend and the kingdom around it seem to be at an early Nineteenth Century level of development, but they are oddly advanced in some ways and lagging in others. The world itself seems very Earthlike, but its geography is strange . . . and the planet is encircled by a prominent set of rings.

Soon, Canna is recruited for an expedition led by the sea-captain Skuld Heel. Captain Skuld has been commissioned to cross the ocean and explore lands at the very edge of human knowledge. He needs a naturalist to help him catalogue the plants and animals they find . . . and to evaluate the distant lands for colonization and exploitation. Canna isn’t eager to leave Riverbend, but he is soon forced to go. The things he learns along the way will have profound implications for him and his people.

The prose style here is quite clean, with very few copy-editing errors. Viewpoint discipline is decent; some passages are told from the perspective of different characters, but the result is clear and easy to follow. The reader will be pulled along by the desire to solve the mysteries posed by the narrative – is this story set on Earth? If it is, how did things get so strange? How will Canna and the other characters cope with the discoveries they make? The story kept me engaged from start to finish.

The world-building here is solid, the strangeness of the setting well-motivated and well-described. Some of its features were a trifle too derivative for my taste. For example, it won’t take too long for the reader to realize the exact Earthly-historical analogue for Canna’s adventure. (It doesn’t help that even Canna’s initials point directly to his real-world inspiration.) The world is grounded in ideas from evolutionary biology and cognitive science, but there aren’t a lot of surprises here.

Meanwhile, late in the story Mr. Norford succumbs to one of the terrible temptations that present themselves to any author engaged in rich world-building. For most of the narrative, he does a fine job of sticking to Canna’s viewpoint, allowing us to watch our hero unravel the world’s mysteries through observation and deduction. Then, close to the climax, the story abruptly drops out of “showing” mode and into a big chunk of exposition in “telling” mode. All the answers are dropped into our lap by a genuine deus ex machina. The overall sense is that of a high-concept, big-ideas, deep-world-building story that doesn’t quite stick the landing.

Still, this is a very well-crafted and intriguing story with lots of lovely scenery and clear sequel hooks. I enjoyed it, and I’m very interested to see what Mr. Norford works on next. Highly recommended.

Review: Obelisks: Ashes, by Ari Marmell

Review: Obelisks: Ashes, by Ari Marmell

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Obelisks: Ashes by Ari Marmell

Overall Rating: ***** (5 stars)

Obelisks: Ashes is the second volume of a duology, set after the world falls into a very unusual apocalypse.

In the previous volume, Obelisks: Dust, the crew of the International Space Station awakened one day to find themselves orbiting a shockingly changed Earth. Making their way back to the surface, they find most of the human species is simply gone, driven to madness and suicide by the mysterious obelisks which have suddenly appeared throughout the landscape. Even to catch a glimpse of one of the obelisks is to risk losing one’s mind, or worse. Only a few people have managed to survive in the wasteland that was once the state of Texas.

Our protagonist, once again, is Flight Engineer Cynthia Han. In the first book, Cynthia struggled simply to survive and help a few others, while fighting through a steadily progressing terminal illness. Now she has found other groups of survivors, including a large (and very well-armed) group which has its own sinister plans for the transformed world. With her own personal clock running out, Cynthia and her friends must solve the mystery of the obelisks, and see if they can secure a future for any human beings at all.

The first volume of this story was pegged as horror, but this second volume ventures into cosmic horror of Lovecraftian scope. Cynthia is a clever and determined woman, but she’s up against a plot billions of years deep that stretches far out into the depths of space. Her story remains difficult and bleak, and it’s not one that promises easy victories.

The first volume was mostly about setting up mysteries and plots, and this volume is mostly about resolving them. The suspense remains at a high level throughout, with reversals and surprises every few scenes. The conclusion is satisfying and wraps up all of the relevant plot threads, although it leaves the door cracked open for a sequel.

The prose style here is very clean. I caught one or two minor copy-editing errors this time, but not enough to pull me out of the narrative. Viewpoint discipline is good; there is a bit more shifting of viewpoint than in the first volume, but it’s all clear and well-marked. There’s a bit more exposition as well, but by and large it’s still embedded in dialogue and character action. Mr. Marmell’s form remains very good.

The story merits one clear content warning, over and above the general bleakness and violence of the plot. A supporting character proves to be in the grip of a pedophilic disorder, an element of his character that was foreshadowed in the first volume, but not made clear until now. His scenes in this volume can be disturbing to read, although – to be clear – they are not sexually explicit. Also, to be fair, the author isn’t using this narrative move simply for shock value; it does play a clear role in the plot.

As with the first volume, I tore through this story in a single sitting, and now I’m interested to see what else Mr. Marmell might be working on in the future. Very highly recommended.

Review: Quantum Radio, by A. G. Riddle

Review: Quantum Radio, by A. G. Riddle

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Quantum Radio by A. G. Riddle

Overall Rating: **** (4 stars)

Quantum Radio is science fiction set in the present day, the first in what appears to be a planned series dealing with the “multiverse” concept.

Dr. Tyson Klein (“Ty” to his friends and family) is a scientist working at CERN, the European center for high-energy physics research. At the beginning of the story, he has made a remarkable discovery. The experiments running on the Large Hadron Collider (LHC), the most powerful particle accelerator in the world, are producing unexpected particles. What’s more, there appears to be a non-random pattern to these particles – as if someone, somewhere else in the universe, is sending a message.

Ty presents his findings to fellow scientists at CERN (and thus to the reader), hoping for funding and help to investigate further. Instead, when he returns home that evening, his apartment is bombed and he finds himself on the run from shadowy forces bent on killing him. Clearly his work has attracted attention from the wrong people, but who and why?

He soon finds allies, some unexpectedly familiar. With their help, he studies the LHC message and finds a way to interpret it. When they act upon the message, the story takes a sharp and rather unexpected turn . . .

Mr. Riddle’s prose style is immaculately clean, and he clearly had attention from a good editor; I didn’t notice a single copy-editing problem anywhere in the story. Exposition isn’t obtrusive, there’s no problem with tense or viewpoint discipline, both quiet scenes and action sequences flow very nicely. This is a very competent writer working at the top of his form. The story itself is certainly readable and fun, and I didn’t have any trouble getting through the novel in a couple of sittings.

Yet I also left the story mildly disappointed. The premise of mysterious messages from somewhere else in time and space, possibly leaning on the many-worlds interpretation of quantum physics, isn’t a new one. Stories such as Greg Benford’s Timescape and James P. Hogan’s Thrice Upon a Time have walked this path before . . . and honestly, I couldn’t help but think that those classics did more with the premise than Mr. Riddle does here. The stakes here don’t seem as high, and the sense of wonder that can come from the best hard science fiction never quite materializes.

To me, Quantum Radio never managed to rise above the level of a simple adventure novel, sticking firmly to tropes that would be familiar to any Star Trek or Marvel Cinematic Universe fan. In fact, I suspect the purpose of this novel is to set up a series of similar adventure stories, taking advantage of recent audience awareness of the “multiverse” concept as driven by popular films.

So in general, I did enjoy Quantum Radio, finding it a fun adventure novel. I’ll certainly be interested to look for the sequels if and when Mr. Riddle releases those. On the other hand, if you’re looking for truly high-concept hard science fiction, with the sense of wonder such stories can provoke, you might want to manage your expectations with this one.

Review: Augment Nation, by Scott Overton

Review: Augment Nation, by Scott Overton

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Augment Nation by Scott Overton

Overall Rating: ***** (5 stars)

Augment Nation is a science-fiction novel of the old school, portraying the collision of all-too-human characters with plausible new technology, along the way serving as a chilling cautionary tale.

Our story begins about a decade from now. David Leiter is a fourteen-year-old boy, critically injured in an automobile accident. He suffers serious brain injury, and develops a condition called visual agnosia, an inability to process or recognize visual stimuli. He can still see, but he has lost the ability to interpret what he sees, identifying objects or recognizing faces. Luckily, he is selected to receive a radically experimental treatment – a computerized implant to augment his brain’s natural functions.

At first the implant only operates to mitigate David’s agnosia, but over time he learns to use it for other purposes: logging into wireless networks, browsing the Internet, mastering computational skills, and so on. Unfortunately, these new abilities also come with a heaping dose of alienation. His peers notice his social awkwardness, missteps with young women earn him a poor reputation, and authority figures punish him for suspected unfair advantages.

Only once David graduates from high school – taking some revenge against the worst of his tormentors on the way out – is he able to start building a worthwhile life of his own. He moves to university, taking the new name of Damon and setting aside his miserable adolescence, and life begins to improve dramatically for him. His implants are upgraded with new hardware and software, providing him with still more new abilities. His skills turn out to be a boon in academia and employment, he becomes less socially inept, he even finds ways to build healthy relationships with women. For a few years, he moves from success to success.

Yet slowly, Damon realizes that the gift of his computer implants has not come without a price. Someone is watching his progress, even after he has taken steps to avoid being monitored. Technology that was tested on him is being deployed to more and more people . . . and it becomes plain that shadowy corporate and government interests do not have any individual’s best interests at heart.

Mr. Overton’s prose style is very clean; I noticed one or two formatting issues in my e-book copy, but nothing to pull me out of the story. He exercises very good viewpoint discipline. The story does need quite a lot of exposition, but none of it is clumsy or obtrusive, almost entirely arising through Damon’s understanding of the world. This is a very well-crafted novel as far as the mechanics are concerned.

David (Damon) has a compelling story with some very credible challenges. Augment Nation isn’t just an exploration of plausible future technology, it’s a story about individuals caught up in the machinations of unscrupulous power. There are those in the story who would gladly use the new technology to lie and manipulate the public, and Damon’s confrontations with them are downright frightening. In the end, the story isn’t just recounting a personal odyssey, it’s describing a potential failure mode for civilization itself. Once I finished this novel, I found myself much more skeptical about the prospect of brain-machine interface technology than I was before I began.

One minor advisory for the reader. Augment Nation is about, among other things, a teenage boy discovering the potentials of new technology. As we might expect, some of the applications he finds have to do with sex, with all the awkwardness any young man might experience! The story is often frank, although never explicit. I found none of this material offensive, although some of Damon’s experiences were mildly uncomfortable to read about; your mileage may vary.

I thoroughly enjoyed Augment Nation, and it left me wanting to read more of Mr. Overton’s work. Very highly recommended if you enjoy believable near-future science fiction with some rather disturbing implications.

Review: Out of Time, by Chris Adams Ward

Review: Out of Time, by Chris Adams Ward

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Out of Time by Chris Adams Ward

Overall Rating: **** (4 stars)

Out of Time presents itself as a speculative fiction story, but at its heart it’s a novelistic appreciation for some of the greatest American music.

Henry “Slim” Tucker is a young African-American journalist, working in Chicago in the early 1920s. Although he is no musician, he loves the vibrant music, the jazz and blues, being played in the city’s bars and clubs. He writes about singers and performers for the Chicago newspapers. Once in a while, he also gets indisputable premonitions about what some of those artists must do, to further their careers and shape the musical world.

Brian Saxon is a successful British businessman, living in the modern day. After suffering a serious head injury in an auto accident, Brian awakens to find the world terribly changed. His beloved wife is now a stranger, and a completely different woman claims to have been his partner. Even worse, the American music Brian has loved all his life – the jazz, blues, swing, and rock-and-roll that he has listened to since childhood – has somehow vanished. The situation is intolerable . . . but soon, against all odds, Brian discovers that there may be something he can do about it.

Out of Time is outwardly the story of these two men, each unaware of the other’s existence, each struggling to survive and find happiness against an ever-changing background of great music. Neither of them understands their relationship, but over time they come to terms with it, and along the way they play a critical part in the evolution of American music. The true leading character in the novel, though, is the music itself, growing and changing, eventually becoming the global cultural phenomenon that it is today.

It’s clear that Mr. Adams, like his British protagonist, loves the music about which he writes. The book is well-researched, and although there are more than a few expository passages, the author uses some clever techniques to keep them from dragging down the story. Meanwhile, meeting so many of the great artists in the pages of this novel never got stale.

The mechanics of the novel work reasonably well. Mr. Adams has a clean prose style, although this novel needed at least one more careful copy-editing pass.

Out of Time spends most of its plot with African-American characters, during a time when casual bigotry and racism were commonplace. The characters constantly deal with and remark on the effects of that racism as they go about their lives. They don’t get to forget about it, and neither does the reader. Mr. Adams works hard to capture the experience of living in those times, but I’m not in a position to say whether he was entirely successful.

The story also gives a 21st century White British character an essential role in the evolution of African-American music throughout the 20th century, an implication some readers may struggle with. To be fair, neither of the story’s protagonists ever become aware of what’s truly happening to them – the story itself leaves much of this a mystery – and the African-American characters are never robbed of agency. In the end, is Brian Saxon causing changes in the history of music? Or is he simply voyaging, by force of will, across multiple alternate worlds until he finds his way home? The reader can never be sure, right up to the ambiguous ending.

I found the story in Out of Time very engaging, the characters sympathetic and easy to like. Possibly more important, the novel inspired me with a great deal of curiosity about a period of musical history, a set of musical genres, that I’ve never before spent much time with. I found myself wanting to go out and find recordings of the performances Mr. Adams refers to throughout the novel. In fact, I understand he’s compiled a list of real-world recordings to go with the narrative!

Recommended as an appealing story about two men’s relationship with some of the greatest music of the past century.

Review: The Lazarus Taxa, by Lindsey Kinsella

Review: The Lazarus Taxa, by Lindsey Kinsella

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The Lazarus Taxa by Lindsey Kinsella

Overall Rating: *** (3 stars)

The Lazarus Taxa is a readable and entertaining, but rather predictable, story of time travel and dinosaurs.

Sidney “Sid” Starley is a daredevil, constantly in search of experiences that no one else has ever had, the riskier and more dangerous the better. When we first meet him, he is climbing a Himalayan peak that no human has ever conquered before – partly because the local government has forbidden mountaineers from making the attempt.

After his expedition fails, Sid is bailed out of prison and recruited by the British billionaire Richard Mansa for a new venture. Mansa’s firm has developed the world’s first working time machine. He now plans to prove the new technology with an expedition back to the late Cretaceous era, the time of the dinosaurs.

Sid jumps at the opportunity, and soon finds himself with three teammates in central North America, sixty-eight million years into the past. After six months on station, the time machine will have recharged sufficiently to bring them home to the present. The plan is for them to survey the countryside, examining the flora and fauna, gathering photos and scientific data. They are well-armed, they have plenty of supplies, and their transit vehicle is something of a fortress. They have every confidence that they will be able to survive their sojourn in the Cretaceous. At least at first.

Unfortunately, it soon becomes obvious that Mansa has misled Sid and his colleagues in several respects. They find evidence that their expedition was not the first to venture into the distant past . . . and there may be other humans already there, with an agenda of their own. It soon becomes a race to see if they can solve a few mysteries and still survive the experience.

As far as basic mechanics are concerned, The Lazarus Taxa is at least workmanlike. The copy-editing was a little rough in spots. Characters and plot are unfortunately rather flat and predictable – the story reads like a treatment for a film script, with all the anticipated beats and plot twists. I saw the solution to the mystery well in advance, with the remaining suspense coming almost entirely from wondering which of the characters was going to reach the denouement.

It’s clear that Mr. Kinsella is well-versed in paleontology, and it’s in the passages where he describes a long-ago and alien Earth that the book relaxes enough to shine. He makes a move which I found rather odd at first: every few chapters he breaks up the dramatic action with a short essay in authorial voice, giving the reader some paleontological detail. The technique grew on me after a few iterations. Many inexperienced genre novelists make the mistake of larding their narrative with exposition-dumping and telling-not-showing passages, pulling the reader out of the story every time they succumb to the temptation to show off all their research. By loading most of that into these well-marked interstitial chapters, Mr. Kinsella avoids crippling his dramatic narrative with it. The result reads a little like a “docu-drama,” and it works well once the reader is used to it.

Readers should be aware that the story ends up rather violent and gory in places. It’s a story about dinosaurs meeting humans – of course there will be some scary beats in the plot!

I found The Lazarus Taxa readable and entertaining. Recommended if you’re interested in stories about dinosaurs, or time travel into Earth’s distant past, with a dash of corporate intrigue.

Review: The Shivering Ground & Other Stories, by Sara Barkat

Review: The Shivering Ground & Other Stories, by Sara Barkat

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The Shivering Ground & Other Stories by Sara Barkat

Overall Rating: ***** (5 stars)

The Shivering Ground & Other Stories is a collection of eleven short stories, combining science fiction with an almost Victorian sensibility and prose style.

A woman has her heart surgically removed to better survive the demands of her society. Ordinary people are caught up in irreversible climate change. A prison guard watches over the last prisoner from a war that ended long before. Two lovers living in alternate universes carry on a doomed affair through letters. These are some of the worlds explored in this unique collection.

The stories are independent, although they share some common features. Many of them seem to be set in steampunkish universes, with dreary industrial districts, airships in the skies, a sense that humanity struggles to thrive in the world it has built for itself. Several stories focus on the details of ordinary life in the shadow of massive disaster: war, ecological collapse, or the fall of civilization.

The prose style here is immaculate – I caught a couple of places where line formatting seemed to go awry, but copy- and line-editing were otherwise superb. Her style reminds me of some Victorian fiction: dense, with a broad vocabulary carefully deployed, often focused on fine descriptive detail. Sara Barkat is painting word-pictures, and she does it with considerable skill. Another reviewer likens the result to Emily Dickinson, and it’s not a bad comparison.

The reader will find most of these stories mysterious; each one contains a mystery, a puzzle that the reader may not be able to solve before the story closes. If you find yourself asking “what’s really going on here” right up to the last word, then the story is probably hitting its objective. Some of the pieces are barely stories at all, in the sense that they don’t seem to have much plot – they’re portraits, windows into universes that are not quite like our own.

I very much enjoyed The Shivering Ground, and I’m going to be looking for more from Sara Barkat. Very highly recommended if you enjoy evocative science-fiction stories in a distinctive style.

Review: Those Left Behind, by N. C. Scrimgeour

Review: Those Left Behind, by N. C. Scrimgeour

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Those Left Behind by N. C. Scrimgeour

Overall Rating: ***** (5 stars)

Those Left Behind is a space-opera novel, the first in a planned trilogy.

The human world of New Pallas is on the brink of destruction due to internal strife, overpopulation, and environmental collapse. Its only hope lies in the hands of Alvera Renata, a revolutionary turned starship captain. She intends to command a state-of-the-art ship, the Ranger, on a desperate mission to find a new home for her people.

When Ranger flies through a “waystation” on the edge of the New Pallas system, Alvera and her crew find themselves amid a galaxy-wide civilization called the Coalition, governed by a loose alliance of humans and several other species. In theory, the Coalition could provide new homes for all New Pallas’s billions. In practice, the alliance has troubles of its own. Aggressive outsiders, the Idran-Var, threaten the peace. Even worse, there are signs that some completely unknown entity is preparing to attack the Coalition – a force which may have eradicated whole civilizations in the past.

At first, the Coalition cautiously welcomes Alvera’s mission. Then a shocking betrayal scatters her crew and threatens to end her mission before it can even begin.

The story that follows is told from multiple points of view: Alvera herself, the son of her worst enemy, a colonist girl with unusual skills, a deadly young woman who refuses to be a warrior, and a soldier who comes to suspect he is fighting the wrong war. As we follow these five characters, we get a tour of Coalition space and the sense of a terrible conflict that is about to begin.

Those Left Behind is very clearly the first novel in a series. This book sets up a complex, multi-threaded story, and it resolves very few of the conflicts it starts. Even so, the characters are clearly drawn and engaging, and I found myself compulsively turning pages to see what would happen to them next. I usually dislike ensemble stories told from multiple viewpoints, but N. C. Scrimgeour has the skill to make it work. Her prose style is very clean, too – I had a hard time finding any copy-editing or line-editing problems in the text. This is a very professional job.

If I had a concern about Those Left Behind, it’s that the setting and plot felt a little derivative. The author’s ad copy mentions that “fans of Mass Effect . . . will love this,” and she is not kidding in the slightest. If you’re acquainted with the Mass Effect universe, then a lot of elements of the setting and plot are going to feel familiar here. It’s not a matter of copying – the most I would say is that this story is strongly inspired by the world of the video game series. N. C. Scrimgeour has done a superb job of remixing and reworking familiar tropes, building a compelling story atop them.

All in all, I thoroughly enjoyed Those Left Behind, and I’m going to be watching for the next book in the series. Very highly recommended if you enjoy high-octane space opera in the vein of the Mass Effect games.

Review: Nothing, by R. J. Goldman

Review: Nothing, by R. J. Goldman

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Nothing by R. J. Goldman

Overall Rating: ***** (5 stars)

Nothing is a science-fantasy novelette, set in the present day. While it doesn’t break much new ground, it’s a tightly plotted and well-written story about young super-powered people on the run.

At the beginning of the story, Juana Pérez is riding home from work on public transit, being harassed by a coarse drunk who refuses to back off. Under stress, Juana “lights up,” summoning up a burst of flames that drives the creep away with blisters. Unfortunately, the entire car full of commuters saw and heard the incident, and at least one of them caught it on their phone. Fleeing from all the eyewitnesses and the blaring alarm, Juana realizes that her cover is well and truly blown.

It turns out that Juana, and her siblings Ajay, JT, and Taro, are all the product of illicit experiments that gave them control over the four classical elements. Juana has control over Fire, able to summon it up and direct it, and her brothers have similar command over Water, Earth, and Air. Some time ago they escaped from the lab where they were created, and they have been in hiding ever since. Now, with Juana’s burst of power making the news, they fear they may have to abandon their lives once more.

What follows is a story about courage, trust and betrayal, and the ties of a self-chosen family. The dialogue snaps along, and the action scenes near the end are thrilling.

Nothing is very well done – R. J. Goldman has crisp, clean prose, with few or no copy-editing errors, and she knows how to put a story together. There weren’t a lot of surprises in the plot, but I found it a very quick and smooth read. When I reached the end, I craved more about this world and these characters. Highly recommended.