I’ve posted “Departure,” a short story that I wrote in 2015, to the Free Articles and Fiction section.
“Departure” is a tale about (literally) star-crossed lovers and the sacrifices they may have to make to pursue their dreams. The story should be linked from the sidebar, but here’s a link as well.
My plans regarding The Curse of Steel have evolved with remarkable speed over the past few days.
My novel-writing process seems to boil down to the following:
About eight years ago, my first mature original novel reached that second-draft stage. That was The Master’s Oath, a tale of time travel, alternate histories, and Hermetic magic that will absolutely never be seen again outside my dead files. It wasn’t until I was finished with that one that I had a “What in God’s name was I thinking” moment and realized the thing was utterly unpublishable. Decently written, not a bad adventure story, but bound to mortally offend big chunks of my audience. Lesson learned.
Now, as of last week, The Curse of Steel has reached the second draft stage. Lo, the creator looked upon his work, and he was pleased.
Now what?
Well, to be honest, my workflow doesn’t exist yet past this point. The Curse of Steel is the first original novel I’ve ever written that I honestly believe is publishable.
I spent a couple of weeks putting together a cover image for the book. While I worked on that, I thought about what the next steps should be. Should I just publish the second draft as is, and hope for the best?
The more I thought about that, the less comfortable I was with the idea.
I know my prose style is reasonably clean. When I was a freelance writer, more than one editor remarked on that. As an editor, I’ve seen enough prose from other people to be able to compare.
Meanwhile, I’ve had a few people reading my drafts, and they’ve been encouraging about the story.
On the other hand, a novel is a very different beast from a non-fiction book, there are necessary skills I may not have developed in full, and none of my early readers are experienced editors. I don’t have a decent writer’s circle to help me hammer my drafts into submission. What if I’m missing something?
No, scratch that, I know I’m missing something. Maybe two or three novels from now, I’ll have a better idea of what to do at this point. Right now I’m still not sure.
The obvious solution would be to hire an editor.
Of course, a skilled and reliable editor costs money. Not to mention, there are a lot of people out there ready to take advantage of would-be authors, offering cheap book-preparation services for top dollar without any guarantee of results. Ever since deciding to pursue self-publishing, I’ve been very cautious about laying out cash for such services.
On the gripping hand, I can afford to spend some money on the experiment.
So over the past week or so, I’ve done some research and developed two lines of attack.
One line is to search for software that can help a novelist pick nits in his prose style. Sure, everything has a spelling-and-grammar checker these days, but strong prose writing needs more than that. I need to be able to ferret out filler words, excess adverbs, phrases that I repeat too often, that kind of thing. I could do that by eye, but the process would be slow and painful, and I would be likely to miss the weaknesses in my own style.
Enter AutoCrit.
Autocrit is billed as a “self-editing platform,” and it certainly works as such. It’s essentially a web-based word processor, but it’s specifically designed to carry out a wide variety of specialized text searches and basic statistical analyses. It compares your text to a huge corpus from published novels, helping you find and carve out the flabby bits of your prose.
Using AutoCrit over the past three days, I’ve been able to rework The Curse of Steel with surprising speed and efficiency. Already I’ve cut a little over 2000 words of material, mostly filler words and repetitive phrases that didn’t add to the sense of each passage.
It’s been quite the eye-opener. Every writer needs something to rub his nose in the shortcomings of his prose style, or he isn’t likely to improve. Lacking an editor or a ruthless critique circle, something like this may be the next best thing.
AutoCrit isn’t ideal. It’s web-based, which I don’t care for. It chokes if you hand it more than 50,000 words of text at once, which means I have to edit my novel in chunks. It doesn’t handle special characters gracefully, so all my conlang words that have accents and umlauts in them get snarled up. Its import from Word, and its export back to Word, are both a little kludgy.
Still, I suspect I’ll have a third complete draft, with much tighter prose, by later this week.
The second line of attack is that I have, indeed, hired an editor. This involved a fair amount of searching through the Web, looking for editorial networks that are competent, reliable, and not outrageously expensive. The SFWA site was fairly helpful here – they don’t explicitly recommend editors, but they have an excellent checklist of things to consider in the process.
The editor I ended up with is being hired specifically to do a manuscript assessment, not a complete edit of the novel. This will set me back a few hundred dollars, and it may not end up being part of my usual workflow in the future. Still, the experiment should be worthwhile. I’m hoping he’ll be able to provide actionable feedback that I can use while producing a final complete draft – the last step in my development process before the book goes out the door.
At the moment, the plan looks like this:
So it looks as if The Curse of Steel will finally hit the virtual shelves by Halloween. There will be much rejoicing . . . and then I’ll get started on The Sunlit Lands, the second book in the series. One assumes that one won’t take nearly as long to reach fruition.
In other news, that four- or five-week gap in September, while I wait for my editor to finish his task? I think I may sit down and work on Architect of Worlds for a while. No promises . . . but I think my research, and the subconscious work in the back of my head, have reached the point where I may be able to develop a rough draft of the third chunk of the world design sequence. We’ll see how things go.
With the cover art ready to go, I’ve spent the last couple of weeks focusing on day-job work (writing and editing course material that’s going to go online) and working on the second-draft edits for The Curse of Steel.
That latter task has paid off. As of this afternoon, the novel is complete in the second draft.
What this means for the project is that I’m about to do one last editing pass, and then prepare the manuscript for release as a self-published novel. If all goes well, the novel will be released sometime in September. The one wild card is that I’m considering submitting the current draft for a manuscript assessment from a reputable freelance editor, to help me organize and direct that last editing pass. If I decide to go with that plan, that might delay the release a bit, depending on how long the assessment takes and how deep an edit it suggests I make.
In the meantime, though, the last chunk of the second-draft manuscript will be released to my patrons within a few days as the charged reward for August. All of my patrons, from the $1 level up, will get a copy of the last eight chapters of the draft (about 24,800 words). When the novel itself is released, all of my patrons from the $2 level up will get a free copy.
I’ll probably also release another piece of short fiction later this month, for my patrons and in the free-fiction section of this blog. More about that as we get closer to the end of the month.
Hmm. Small change in plans.
As I mentioned yesterday, I’ve been ripping right through the second draft of The Curse of Steel. My pace has picked up a lot over the past week or so. This is mostly because I’ve reached the later chapters – at this point in the first draft, I had figured out most of the plot, so the second draft has needed a much lighter rewrite.
As of this morning, I’ve reached the major reversal in the plot, about two-thirds of the way through the story. This strikes me as a good place to pause for a bit, while I concentrate on other tasks. In particular, I really need to put some time and effort into a book cover.
As a result, this month’s charged release to my Patreon will take place within the next couple of days, consisting of roughly 18 chapters of the revised draft of The Curse of Steel. All of my patrons, from the $1 level up, will get a copy of the PDF. If you’re interested in signing up as a patron and seeing this draft as it emerges, feel free to click on the Patreon link in the sidebar.
Once that release is out, I’m going to crack open my modeling and photo-manipulation software and see if I can’t put together a decent book cover for The Curse of Steel. That will probably involve a few preliminary renderings as I set things up. I’ll post those here and to my DeviantArt page.
It’s a paradox.
Over the past few weeks, I’ve finally started to feel seriously worn down by months of lockdown amid the pandemic. I spend 95% of my time, day and night, in the same room. My bed and my workstation are less than four yards apart. My whole experience of the world is reduced to what I can see with a few networked devices. I do get to spend a little time each day at the kitchen table with my wife and children, and every day or two I go outdoors to walk for a mile or so in the fresh air. That’s all – and even for me, introverted and reclusive as I normally am, it’s starting to be difficult.
Even so, I’m surprisingly productive right now.
I’m in the process of rewriting one of my courses almost from scratch, with an eye toward being able to deliver it online rather than in the classroom. Very good progress so far, and the project may be done in a couple more weeks. I’m being called upon to consult with colleagues about other items too.
Meanwhile, I’m just tearing through the second draft of The Curse of Steel. There are a few new passages in this draft, and that slows me down a bit, but by and large, it’s just rewriting. I think I’ve averaged a chapter a day for over two weeks now. At this rate, I may have the bulk of the second draft done by the end of July.
I think I may need to start seriously thinking about a book cover. Finish the second draft, make one more edit-and-polish pass for the final draft, and the book will probably be ready to release sometime in September.
I’ve just finished placing another of my old short stories under the “Free Articles and Fiction” tab in the sidebar.
This story is “A Fire in Winter,” a story set in the early stages of an American Revolution that is not going as well as the one in our history. As for what other differences there may be between that world and our own . . . well, better you see for yourself.
“A Fire in Winter” has also been released to my patrons, free of charge.
The last two weeks have been busy.
After almost three months of lockdown at home, I’m finally starting to do a significant amount of telework for my day job, revising and re-designing one of my more popular courses. We’re hoping to get that online for students by the end of July, so there’s a lot of work to be done there.
Meanwhile, I’ve gotten a good start on the second draft of The Curse of Steel. The goal here was to back the beginning of the story up by about two days, giving me a chance to do a lot more character development and exposition before throwing Krava into the middle of the action. I’ve just finished the third chapter of this new material, after which I’m going to be rewriting existing text rather than coming up with new.
I think it’s clear that I was overly optimistic to think that I would be one-third of the way through the draft by now. By the end of June, it’s probably going to be more like 15% or so. Still, I’ll have more than enough material to get past my self-imposed limit of “at least 10,000 words of solid content before I release anything to my patrons.”
All of which is to say, there will be a charged release on my Patreon by the end of June, which will consist of roughly the first 5-6 chapters of the revised draft of The Curse of Steel. All of my patrons, from the $1 level up, will get a copy of the PDF. If you’re interested in signing up as a patron and seeing this draft as it emerges, feel free to click on the Patreon link in the sidebar.
Just a quick status report today. After a few months of world-building work, I’ve finally gotten started with the second draft of The Curse of Steel.
How quickly this goes depends on a lot of things. Although I’m still not going into the office, and probably won’t be doing that on a regular basis for some time yet, I have started doing some day-job work from home. Work on the novel is going to have to compete for time. Still, I hope to be able to finish this draft by the end of August, then prepare the novel for release in the September-October timeframe.
If things go according to plan, patron rewards for June, July, and August will consist of chunks of the revised draft, about a dozen chapters at a time. As always, if anyone’s interested in seeing that material as I release it, click on the Patreon link in the sidebar. All of my patrons, $1 level and up, will get to see sections of the draft. Patrons at the $2 level and up will get a free copy of the finished e-book when that’s done.
I’ve posted “Landfall,” a short story that I wrote a few years back, to the Free Articles and Fiction section.
“Landfall” is a tale about a slower-than-light interstellar expedition, which runs into trouble when it finally encounters a hospitable, Earthlike world after a thousand years of voyaging. What does a society organized around an eternal voyage do, when it becomes possible for the voyage to end?
The story should be linked from the sidebar, but here’s a link as well.
Just a quick post to report on how things are going here.
We’re all in lockdown, with my son the only one who’s still leaving the house for work each day. He works at a small factory that supports the food-delivery industry; as you can imagine, they’re doing an absolutely booming business right now. He’s earning lots of overtime, and he and I joke that he’s the only one in the family that’s really “essential” at the moment. At least my job is secure for when things start getting back to normal, and I’m still getting paid in full for the duration. We have plenty of savings in any case, so as long as money remains good in the first place, we should be able to weather the storm.
The psychological toll seems more acute. I have plenty to do, and my son has his work and his online friends. On the other hand, my wife misses her classes and social contacts, and I think my daughter is going slowly mad, stuck in the house without her usual busy school schedule.
For my part, I’ve been having the usual upper-respiratory issues that always hit me, when the dogwood and maple trees do their thing every spring. I’ve been watching my symptoms like a hawk, and taking my temperature regularly, but so far I haven’t seen any reason to push the panic button. All that means is that I’m in a constant state of low-level apprehension rather than mortal terror, but if that’s the worst I have to live with over the next few months, I count myself blessed. A lot of people are having it far worse.
As for the creative work which is the normal reason for this blog, I’ve been nicely productive ever since I came home. I’ve been working on a more extended system for designing Iron Age villages, an expansion of the “extended character” work I’ve posted about recently. That, in turn, is helping me to visualize the social setting of The Curse of Steel much more completely. If and when I start the second-draft rewrite – which may now be a matter of days – I think I’ll have a much better picture to draw upon.
Meanwhile, I’m also working on the first draft for the EIDOLON “core book,” the basic character-description rule set that I’ll be self-publishing as a basis for releasing world-building material for the game market. I’m also working on the Tremara “culture book” that’s likely to be the first major release for the EIDOLON system. There’s still plenty of work to do on both items, but there’s real progress.
I think April may be the first month that my Patreon campaign gets started again; I’ll have enough new material that patrons might find interesting or useful. If you’re interested in signing up as my patron, please have a visit to my creator page and drop a pledge. Thanks!